In the Tamil film industry, Shankar’s eagerness to be original – both in terms of story as well as what he does with technical tools like visual effects – has played an enormous part in his continuing popularity.
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Like Shankar, Murugadoss knows how to tell a story that will hold his audience’s attention. Unlike Shankar, Murugadoss works only with A-listers and most of his films are action-romances.
Perhaps Shankar’s strongest competitor as a director is AR Murugadoss, who works in both Tamil and Hindi. K S Ravikumar is known for his action comedies and for working with stars like Rajinikanth and Kamal Haasan whose cult status is a key factor in his films’ success.
Romance has been one of Ratnam’s favourite themes and one that has brought him a lot of praise and success in the past, but it hasn’t found much popularity at the box office of late. Ace director Mani Ratnam, for instance, is renowned for strong screenplays that explore relationships. Most other Tamil directors have some almost trademarked aspects to their filmmaking. Add to that his lavish budgets, exceptional music by A R Rahman, visual effects wizardry and Shankar’s creative use of technology, and the audience gets a fabulous spectacle for the three hours that they spend at the cinema. When he’s telling his own story, Shankar is ready to dabble in different genres, from a film about a vigilante to science fiction, psychological thrillers and political thrillers. He prefers original scripts – he says they’re more stimulating – and has vowed never to work on a remake after his experience with Nanban(2012), the Tamil version of 3 Idiots which didn’t do well at the box office. What sets Shankar apart from other directors in the Tamil film industry is the unpredictability of his films. Apparently, the actor is now eager to work with Shankar again. In between these two, Rajinikanth was seen in Kuselan (2008), directed by P Vasu and it bombed. Some claim Rajinikanth may have lost his magic touch, but it’s worth keeping in mind that the actor’s most memorable releases of late were those directed by Shankar: Sivaji (2007) and Enthiran (2010). Rajinikanth’s recent release Lingaa opened to mixed reviews and despite the production team proclaiming it a superhit, the distributors are up in arms and want a refund because the film hasn’t earned as much as was expected. Initially, the patriotic themes in his films clicked with audiences, but soon their popularity too fizzled out and then Arjun was seen in B-grade films that weren’t applause-worthy.Įven “Superstar Rajinikanth” isn’t an exception to this rule, it turns out. It was when Arjun started working with other directors that his films started failing. He went on to do Mudhalvan, again with Shankar, which was also a hit. In 1993, Shankar cast Arjun as the vigilante in Gentleman and the actor became a household name. He started his career in the Kannada film industry in 1981 and began to make mark by the mid ’80s. Many projects didn’t take off and those that did, produced by Prashanth’s father, failed at the box office.Īrjun, who was the star of Gentleman, has a similar story. Post Jeans, however, Prashanth struggled in the film industry. At the time, Jeans was the most expensive Indian film to be made and was a runaway hit. Take Prashanth, who started his career at 17 with Vaigasi Poranthachu and was a rising star when Shankar signed him for Jeans in 1998, opposite Aishwarya Rai.